"Moora (morning)" is more vocal, crisper and funkier. Robbie Styles back-up vocal support gives it an international feel, an aesthetically pitched background score that should work in light moments of this flick. It has a strong "alternative rock" fusion feel that is experimental but is still soothing to the ears. Sneha Khanwalkar's breezy voice renders it with subtlety and is ably supported with somber Calypso stylized arrangements. Serenity in sounds and moods returns with a soft-melody titled "Moora". It's brief and sharp in tones, exuding out the dark characteristics of the portrayed character. "Perpendicular (theme)", an iconic instrumental-beat based track on the deadly character "Perpendicular", comes out as quirky electronica filled number with varied brass-band sounds. Khanwalkar delivers a perfect "qawali" musical setting but the hilarious tinge is not too convincing, a loud melodramatic presentation (depiction of "Mahabharata" nautanki attire) on big screen may create a difference of opinion. This time he along with Bhupesh Kumar sings out feverishly loud this track with wishy-washy lyrics. "Aabroo", a vociferously gibberish "qawalli" number paints him in a different singing avatar. Piyush Mishra on-screen presence was convincing and his sung track "Ik Bagal" (GOW) too made a strikingly expressive impact. Khanwalkar captures the innocent and chirpy sentiments of a customary Bihari wedding with aplomb, as she did in "O Womaniya Live" where "tongue-in-cheek" wordings (about thin physical stature of bridegroom) added the desired spice and fun to the situation, a colourful engrossing affair on big screen is surely on cards. It brings Padamshree Sharda Sinha's impressive voice to the fore with simplistically set of harmonium, tabla works going in tandem with loud chorals. "Taar Bijli", the next track sounds more like folksy version of "Electric Piya (Fused) " and sounds much better. Sounding interesting in arrangements, a well-etched depiction is surely on the cards while it's instrumental version ("Bahut Khoob (8-bit)") comes as its brief edition, where volubly loud childish chorals domineers. The soundtrack comes out as evocative background score, where a barrage of emotions strikes a child's mind, leaving him in a state of dilemma. Khanwalkar pitches an "abstract" musical work this time that is too heavy on experimentation where Kids of Musahar village plays as the choral vocalist of the track. "Bahut Khoob", a dizzy childish track with loads of electronic fillers, brings out the varied mindsets of childhood memories. Rasika Rani's earthen voice in louder tones leads the show that hardly impresses but it's the racy concoction of electronic fillers in the latter phases that strikes senses. As far as the composition is concerned, Bihar's folksy thrives are mixed with "club-remixes" maneuvers in Hinglish lyrical flows to deliver out a bizarre dancing feel for the occasion but the end-result is too ordinary. The fervor of "O Womaniya Live" (GOW) relives to new tuneful appeal of another "ladies-sangeet" special singing attraction in "Electric Piya (Fused)". It's not as engrossing as "Jiya Tu" but has sufficient enthralling moments that should be narrative enough in the scripting. Varun Grover's daring lyrics shows raw outrageous attires and boldness that should work in giving an adventurous thrill on big screen. Durga, 12 year old singing prodigy childish vocals are energized with jarring electronic sounds and rhythms, and later with aggressively thrived electronic fillers, showcasing a thrilling "chase" between characters. Can we expect another musical surprise from her? Let's find out.Ĭantankerously Chirpy! GOW II starts off dark, haunting and volubly shrill in the opening track "Chhi Chha Ledar", a number that brings satirical tones of unexpected happenings in this gory thriller. Sneha Khanwalkar, musical brainchild behind the success of GANGS OF WASSEYPUR ("Jiya Tu", "O Womaniya", "Hunter" and "Keh Ke Loonga") has impressed big-wigs of tinsel-town and this sequel again puts her again in the driver's seat. Loaded with immense gory violence, deceitful characters, eye-opening realistic facts and off-course an unfulfilled vengeance feel, this sequel will surely be the one special big-screen feast for the cine-lovers. GANGS OF WASSEYPUR II (GOW II) opens big on expectations and mercurially high on "curiosity quotient", as its prequel (GANGS OF WASSEYPUR) was one of the most well-received film of our times.
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